• °­¾ç¼ø
    Beautiful Invitation-Spring

  • Code 1527644127
    ÀÛÇ°»çÀÌÁî 72.6x60.6cm
    Àç·á mixed media on canvas
  • ¾×ÀÚÁ¾·ù
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  • ¹è¼Û±â°£ 5-10ÀÏ
  • ÀÛÇ°°¡°Ý 4,000,000¿ø
    ¾×ÀÚ°¡°Ý 0¿ø
    ¸ÅÆ®°¡°Ý 0¿ø
    Àû¸³±Ý 80,000¿ø
    ÇÕ°è°¡°Ý 4,000,000¿ø

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°­¾ç¼ø [Yang-soon, KANG / Ë©åÐâ÷]


°³ÀÎÀü 23ȸ [¼­¿ï, ÀϺ»] | The 23times Solo Exhibition [Seoul, Japan] 

 

ÁÖ¿ä Àü½Ã | Major Group Exhibitions / The 250times Group & Invited Exhibition 

 


¼­¿ï¾ÆÆ®¼î 2017 ÃÊ´ëÀÛ°¡Àü [ÄÚ¿¢½º ¹«¿ª¼¾ÅÍ / ¼­¿ï °­³²]
SHE »ê¾÷¹Ú¶÷ȸ ¾ÆÆ®ºÎ½º ÃÊ´ëÀÛ°¡Àü [ÄÚ¿¢½º ¹«¿ª¼¾ÅÍ / ¼­¿ï °­³²]
PLAS Á¶Çü¾ÆÆ®¼­¿ï 2017 ÃÊ´ëÀÛ°¡Àü [ÄÚ¿¢½º ¹«¿ª¼¾ÅÍ / ¼­¿ï °­³²]
Ä«Æä°¶·¯¸® ºê·¹¾Æ ÃÊ´ëÀü [ºê·¹¾Æ °¶·¯¸® / °æ±â ¿ëÀÎ]
È«Äá ¾îÆ÷´õºí ¾ÆÆ®Æä¾î [Affordable Art Fair Hong Kong]
·¿Ã÷·±ÆÄÅ© ¸»¹Ú¹°°ü ÃÊ´ë ºÎºÎÀü [¸»¹Ú¹°°ü, Çѱ¹¸¶»çȸ / °æ±â °úõ]
±¤È­¹®±¹Á¦¾ÆÆ®Æ佺Ƽ¹ú ÃÊ´ëÀü [¼¼Á¾¹®È­È¸°ü ¹Ì¼ú°ü / ¼­¿ï Á¾·Î]
½Ì°¡Æú ¾îÆ÷´õºí ¾ÆÆ®Æä¾î [Affordable Art Fair Singapore]
È«Äá ÄÚ¸®¾È ¸ð´ø ¾ÆÆ®¼î [Hong Kong Korean Modern Art Show / Midtown pop plaza]
ÁßÇѹ®È­¿¹¼úÁ¦ ÁßÇÑÇö´ë¹Ì¼úÃÊûÀü [½Éõ½Ã ¹®¹Ú±Ã 1È£°ü, ñéÏÐ]
World Art Show [·Ôµ¥È£ÅÚ¿ùµå »çÆÄÀ̾îºí·ë]
·¿Ã÷·±ÆÄÅ© ¼­¿ï ¸»¹Ú¹°°ü ÃÊ´ë ºÎºÎ ±×¸²Àü [¸»¹Ú¹°°ü Àü½Ã°ü / °æ±â °úõ]
Modern Art Korea and Germany [Gallery Forum]
U.S.A New Spirt of Korea Exhibition [Vision Art Hall - in U.S.A]
Çѱ¹ÅÍÅ° Çö´ë¹Ì¼ú±³·ùÀü, Ã湫¾ÆƮȦ ÃÊ´ë °¡Á·Àü
ÇÑÁßÀÏ 3°³±¹ »ï»öÀü, °¶·¯¸® ±¸ÇÏ ÃÊ´ë ¸ð³àÀü ¿Ü 250 ¿©È¸ 

 

ÁÖ¿ä °æ·Â ¹× ¼ö»ó | Major Careers & Awards


´ëÇѹα¹¼öäȭ°ø¸ð´ëÀü ½É»çÀ§¿ø, Àü±¹È¸·æ¹Ì¼ú´ëÀü ¿î¿µÀ§¿ø
ÆòÈ­ÅëÀϹ̼ú´ëÀü ½É»çÀ§¿ø, ´ëÇѹα¹ ȯ°æ¹Ì¼ú´ëÀü ¼­¾çÈ­ºÎ¹® ½É»çÀ§¿ø ¹× ¿î¿µÀ§¿ø
ÇàÁֹ̼ú´ëÀü ´ë»ó, ´ëÇѹα¹¹Ì¼ú´ëÀü ƯÀÔ¼±3ȸ
¹Ì¼ú¼¼°è´ë»óÀü Ư¼±, ³ªÇý¼®¹Ì¼ú´ëÀü ¿ì¼ö»ó, ¼öäȭ ¹Ì¼ú´ëÀü ¿ì¼ö»ó
(»ç)Çѱ¹¼öäȭÇùȸ ÀÌ»ç ¿ªÀÓ, È£³²´ëÇб³ ¹Ì¼úÇаú Á¹¾÷ ¿Ü  

 

 

 

 

Born in Jeonju, Jeollabuk-do on January 17, 1958 

 

The 23times Solo Exhibition [Seoul, Japan]
2015  The 23th Tour Solo Exhibition [Korean Broadcasting System Viewer Gallery / Youngdeungpo, Seoul] 

 

Major Group Exhibitions / The 250times Group & Invited Exhibition
SEOUL ART SHOW 2017 GRIMSAM ART CENTER Selected Invitational [COEX Exhibition Hall / Gangnam, Seoul]
DIAS Daejeon International Art Show, Invitation Exhibit with Saeoreum Gallery [Daejon Trade Exhibition Center / Yuseong-gu, Daejon-si, South Korea]
SHE Industrial Art Exhibition GRIMSAM ART CENTER Invited Exhibition [COEX Exhibition Hall / Gangnam, Seoul]
PLAS Pastic Art Seoul Invited Exhibition [COEX Exhibition Hall / Gangnam, Seoul]
Hong Kong Affordable Art Fair with mayjun gallery [Hongkong Exhibition & Convention Center / Hong Kong]
Let¡¯s Run Seoul Racecourse Park Married Couple Artist Invitation Exhibition
GIAF Gwanghwamoon International Art Festival  [Sejong Art Center / Jongno-gu, Seoul-si, South Korea]
Affordable Art Fair Singapore [Youngjin & GaGa gallery / Singapore]
The 6th Friends Korea-Japan Exchange Exhibition [Urowasi Art Museum, in Japan]
Hong Kong Korean Modern Art Show [Midtown pop plaza, Hong Kong]
Korea-China Culture Art Festa Contemporary Artist Invited Exhibition [Shimchun-si Moonbak-gung, China]
World Art Show Booth Invited Exhibition [Lotte Hotel World Sapphire Bloom Hall]
Modern Art Korea and Germany [Gallery Forum]
U.S.A New Spirt of Korea Exhibition [Vision Art Hall, U.S.A]
Korea-Turkey Contemporary Art Exchange Exhibition [Miarsinan University, in Turkey]
Artist Family Three Generation [Choongmoo Art Hall Gallery / Joong, Seoul]
Korea-China-Japan 3 Color Exhibition
Gallery Guha Invited Mother and Daughter Exhibition [Gangnam, Seoul] etc.. 

Major Judge & Committeeman Careers
Korea Watercolor Association Director
Korea Watercolor Contest Exhibition Judge
Korea Environment Art Contest Exhibition Judge and committeeman
Peace & reunification Art Contest Exhibition Judge etc.. 

 

Awards
HAENGJU Grand Exhibition Award Grand prize
NAHHYESUK Grand Exhibition Award Excellence Award
Korea Fine Art Award Special Selection and Choice many others
Diploma in Sculpture, Honam University of Department of Fine Art, Korea 

Art Works collections place 
Sonpa-gu Office, Seoul Asan Hospital

 

 

 

 

 


ÀÛÇ°·Ð | Artist Note


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 ½Ã°£°ú °ø°£ in paradise ¿¬ÀÛÀº »óó ÀÔÀº ¿µÈ¥µéÀ» À§ÇÑ À§¾È°ú À§·Î ±×¸®°í ±Ù¿øÀû ÀÚÀ¯¿¡ ´ëÇÑ °¥¸ÁÀ» ³«¿ø¿¡¼­ÀÇ »ó¡Àû ÆÇŸÁö·Î Ç¥ÇöÇÏ°í ÀÖ´Â ÀÛÇ°ÀÌ´Ù. Çö½ÇÀÇ ¾îµÎ¿òÀ» ÀÖ´Â ±×´ë·Î Ç¥ÇöÇϱ⠺¸´Ù´Â ¿ÀÈ÷·Á ȯÈñ ¼Ó¿¡¼­ÀÇ ´«¹°À̳ª Àý¸Á ¼Ó¿¡¼­ÀÇ È¯ÇÑ ¿ôÀ½Ã³·³ ÀáÀçµÈ Èñ¸ÁÀ» ¿ÀÈ÷·Á ´õ °úÀåµÇ°Ô ²ø¾î³»°í ÀÖ´Ù. ÀÌ°ÍÀº Çö½Ç¿¡ ´ëÇÑ È¸ÇǶó±âº¸´Ù´Â ¿ÀÈ÷·Á ¸¶À½ ±íÀº °÷ÀÇ ¹ú¾îÁø »óó¸¦ ²ç¸ÅÁÖ°í ¾à ¹ß¶óÁÖ´Â ÀÏÁ¾ÀÇ À§·ÎÀÇ ÆÇŸÁöÀÌ´Ù. ÇÑÆí ÀÛÇ°Àº ¶§¶§·Î ¼ÓÁËÀÇ »ó¡À» ´ã±âµµ Çϴµ¥ ±×°ÍÀº ½ÇÁ¦ °Þ¾ú´ø ¸î °¡Áö Ưº°ÇÑ ±â¾ï¿¡ ±âÀÎÇÑ´Ù.

 Ã¹ ¹ø° ±â¾ïÀº ÇÑ¿©¸§ÀÇ µ¿¹°¿ø ¶¯ºµ ¾Æ·¡, ¿ÂÅëÀÇ °ø±â¸¶Àú Ÿ¹ö¸± °Í °°Àº ±×·± ¼û ¸·È÷´Â ¹«´õÀ§ ¼Ó. °ü¶÷°´À» µî¿¡ Å¿ì°í Á¶·Ã»çÀÇ ¼Õ¿¡ À̲ø·Á °°Àº °÷À» ²÷ÀÓ¾øÀÌ ¸Éµ¹´ø ³ë¼èÇÑ ³«Å¸¿¡ °üÇÑ °ÍÀÌ´Ù. ´Ü¼øÇÑ °ü¶÷ ¸ñÀûÀ¸·Î º° »ý°¢ ¾øÀÌ µ¿¹°¿øÀ» ã¾Ò´ø °÷¿¡¼­ ¸ñ°ÝÇÑ °ÍÀº ¼ûÀ» Ç涱ÀÌ¸ç °ÅÇ°À» ³»»Õ´ø ÀÚÀ¯¸¦ ±¸¼Ó´çÇÑ »ý¸íÀ̾ú´Ù. ³«Å¸´Â »êä·Î ¸»¶ó°¡°í ÀÖ¾ú´Ù.

 µÎ ¹ø° ±â¾ïÀº ´ë±â¸¶Àú Âõ¾îÁú µí ÇÑ°Ü¿ï Ä®¹Ù¶÷ÀÌ ¸ô¾ÆÄ¡´ø ÇÑ °Ü¿ï ¹ãÀÇ À¯¿øÁö¿´´Ù. ´ÄÀº ¸» ¿ª½Ã ²÷ÀÓ¾øÀÌ Ã¤ÂïÀ» ¸Â¾Æ°¡¸ç °Å´ëÇÑ °ü¶÷°´ ¸¶Â÷¸¦ Èû°ã°Ô ²ø°í ÀÖ¾ú´Ù. È­·ÁÇÑ ³×¿ÂÀ¸·Î ¹ø½ °Å¸®´ø ¸¶Â÷¿Í ±× ¾È¿¡ Ÿ°í ÀÖ¾ú´ø ´Ü¶õÇØ º¸ÀÌ´Â °¡Á·µéÀÇ À̹ÌÁö´Â Ȧ·Î ºñƲ°Å¸®´ø ¸»ÀÇ À̹ÌÁö¿Í ³Ê¹«³ªµµ ´ëÁ¶µÇ´Â ±¤°æÀ̾ú´Ù.

 ¾î¸° ½ÃÀý µ¿¹°¿ø°ú À¯¿øÁö´Â Áñ°Å¿òÀ¸·Î ±â¾ïµÇ°í Çâ¼öµÇ´Â °÷À̾ú´Ù. ±×·¯³ª ¼ºÀÎÀÌ µÈ Áö±Ý À̸éÀÇ Çö½ÇÀº ´©±º°¡ÀÇ Èñ»ý°ú °íÅëÀÌ ¼ö¹ÝµÇ´Â ¾Ç¸ù °°Àº ±â¾ïÀ¸·Î ÀÚ¸® Àâ°í ÀÖ´Ù. »ç½Ç ³»°¡ »îÀ» ¹Ù¶óº¸´Âµ¥ ÀÖ¾î À̸éÀÇ ¾îµÎ¿î Áø½ÇÀ» Á÷½ÃÇÏ´Â µ¥´Â ´õ ±íÀº Æ®¶ó¿ì¸¶°¡ Á¸ÀçÇÑ´Ù. ±× ±íÀº ½½ÇÄÀº Çѵ¿¾È º×Á¶Â÷ ²ª°Ô ¸¸µé¾ú¾ú´Ù.

ÀÌÈÄÀÇ ³» ÀÛ¾÷ÀÇ °í¹ÎÀº »ý¸íÀ» °®°í ÀÖ´Â ¸ðµç Á¸Àç°¡ ÇÊ¿¬ÀûÀ¸·Î ¸¶ÁÖÇÒ ¼ö¹Û¿¡ ¾ø´Â °íÅë°ú Àý¸ÁÀÇ °¨Á¤µéÀÌ ¾î¶»°Ô Á¤È­µÇ°í ȸº¹µÉ ¼ö ÀÖÀ»±î·Î Àü°³µÇ°í ÀÖ´Ù. ¾ÆÇÄ¿¡ °üÇÏ¿© ºÒÆíÇÑ Áø½ÇÀ» ±×¸± °ÍÀΰ¡ ȤÀº °¡»óÀÇ °ø°£ÀÎ ¡®paradise¡¯¿¡¼­¶óµµ ÀÚÀ¯·Ó°í ÆòÈ­·Ó°Ô »ì±â¸¦ ¹Ù¶ö °ÍÀΰ¡. ¿À·£ Áú¹® ³¡¿¡ ³»¸° ³ªÀÇ °á·ÐÀº ±×µéÀ» ³«¿øÀ¸·Î ÃÊ´ëÇÏÀÚ¿´´Ù.

°ú°ÅÀÇ ±â¾ïµéÀÌ ¿ì¸®¿¡°Ô ¸»ÇÏ°íÀÚ ÇÏ´Â °ÍÀº ¸ðµÎ¿¡°Ô °øÆòÇÏ°í °¢°¢ÀÇ »ç¶÷µéÀÌ °É¾î¿Â ¹ßÀÚÃë°¡ Áö±Ý ¿ì¸®ÀÇ ¼±ÅÃÀû »îÀ» ÁöÅÊÇØÁÖ°í ÀÖÀ½Àº ÀǽÉÇÒ ¿©Áö°¡ ¾ø´Ù. Áö±ÝÀ» »ì¾Æ°¡°í ÀÖ´Â ¿ì¸®µéÀº ¾ÕÀ¸·Îµµ ¶§¶§·Î ÅëÁ¦ºÒ´É, ÀÌÇغҰ¡ÀÇ »óȲ°ú ¸Â´ÚÄ¡°Ô µÉ °ÍÀÌ´Ù. ±×¶§µµ ´©±º°¡´Â Àý¸Á°ú ÁÂÀý¿¡ ºüÁú °ÍÀÌ°í ´©±º°¡´Â ºÐ³ë¿Í Æ÷±â¸¦ ¼±ÅÃÇÒ °ÍÀÌ´Ù. ±× ¶§ ¿ì¸®°¡ ÀØÁö ¸»¾Æ¾ß ÇÒ °ÍÀº ¸ÕÀú ¶°³¯ ¼ö¹Û¿¡ ¾ø¾ú´ø °Íµé¿¡ ´ëÇÑ ¼ÓÁË¿Í ±â¾ïÇÏ°íÀÚ ÇÏ´Â ¸¶À½ ±×¸®°í ÇöÀ縦 »ì¾Æ°¡°í ÀÖ´Â ¡®»ê °Í¡¯µé¿¡ ´ëÇÑ Áö¼ÓÀûÀÎ °ü½É°ú »ç¶ûÀÇ ±âµµ¿©¾ß ÇÑ´Ù. ¿ì¸® ¿ª½Ã ¾ðÁ¨°¡´Â ³«¿øÀ» ÇâÇÒ °ÍÀÌ¸ç ¶Ç ¿ì¸®ÀÇ µÚ¸¦ ÀÌÀ» »ý¸íµéÀÌ ±× µÚ¸¦ µû¸¦ °ÍÀ̱⿡. ³» ÀÛÇ°µéÀ» ÅëÇØ »ý¸íÀ» °¡Áø ¸ðµç °ÍµéÀÌ À§¾È°ú À§·Î¸¦ ¹Þ°í ¾ÆÇÄÀ» Èñ¸ÁÀ¸·Î ġȯ½Ãų ¼ö ÀÖ´Â ¿ë±â¸¦ °®±æ ¹Ù¶õ´Ù.

 

 

Yangsoon Kang¡¯s Work Theory  

 

The purpose of my work is at feeling nostalgia of the past memory and finding sense of mental freedom to today¡¯s every single living thing. The time constantly passed is mostly missed and remained with regrets. Sometimes, it is a pain and more than an agony or felt as a vague longing and delight. Anyhow, the memories of yesterday are the root those made me today, us at the moment whether we like it or not.

The repeated cultivation ¡®time and space in paradise¡¯ is a work describing a symbolic fantasy in the heaven about comfort, consolation for the bruised spirits and their eager for basic freedom. Instead of showing the real darkness, the work exaggeratingly drags the potential hopes out such as the tears of joy and laughter of despair. This is not a evasion from bruised life but oppositely a positive fantasy that heals the wound deep inside of mind. On the other hand, works sometimes include the symbols of atone. My work also came from several special memories I experienced.

The first memory is about an old camel that circling the same place led by a trainer¡¯s hand and carrying spectators on its back. It was midsummer in the broiling sunshine that all the air could burn. The zoo I went simply to enjoy became the tying time and space where I faced the drying out life living with suppressed freedom.

The second memory is quite similar. It was an amusement park in midwinter that the wind could even tears the air out. An old horse were crawlingly whipped endlessly pull a huge carriage carrying spectators. The images of carriage twinkling with showy neon and a harmonious looking family inside of the carriage were too contrasted with the image of an old stumbling horse.

Zoo and amusement park are places remembered with pleasure. However, on the other hand, the memory becomes a painful memory that carries someone¡¯s sacrifice or pain. To tell the truth, there is a deeper trauma that made me looking at another dark side of lives. The inconsolable grief that I had to let my child leaves this world first in pain made me giving up on painting.

After that, my concerns on works are how to purify and share the painful emotion people have. Am I going to describe the sadness plainly or the hope in heaven? The answer was not far from me. Drawing the emotion that eagers to be loved freely in there. Due to the answer, hope my work is a motive creating sympathy on pain and a meeting of minds rather than being shown as simply crude and bright artwork.  

There is no doubt that things memories about time and space give us are all fair and each person¡¯s trace of life support us. We, living now, will face uncontrollable and not understandable situations sometimes. Some will fall into despair and some will choose the anger or giving up. Things we have to remember when it faces are hope about the person who went earlier and consolation for person who is left. We need to remember the livings who will come after us to this world. That is the share of people who live first, I think. By my works, I hope every living thing is comforted and acquires the courage to replace the pain to hope.